Grief in Mountains

He was so heavy in my lap.

I was in the back seat of our pickup truck. My mom was in the front passenger seat next to my brother who was driving up and over the Old Dalles Mountain Road. It was my dad’s favorite route to take in the springtime, when lupin and balsam root were in full, glorious, purple and gold bloom, bright and vibrant against the dusty silver of sage and the muted brown of soil already cracking underneath their small, but triumphant, canopy of petals.

We were all together, our four-leafed family now plucked to three. There was a gap. A strange, time-warped gap, where I sat mostly in front of a computer screen to work and connect with people but felt the least connection of my life. Life halted, cut off and held hostage by an invisible, global virus, that, if gathered into one place, would fit inside a Pepsi can.

My dad drank a lot of diet Pepsi when I was growing up. It was comforting, that stockpile of cold pop cans in the mud room refrigerator, the sound of the tab snapping open, psssshhcck! on a hot, hot summer day after tilling the garden. Dad’s tanned arms in a cut-off sleeved shirt, his beard trembling a little from his hidden chin wiggling in concentration, his jeans, faded and dirty, his tennis shoes, old and falling apart, leather work gloves worn shiny and brown, and a Mariner’s baseball cap keeping his bald head form burning. These separate articles of clothes hung off of his 6’ 6” frame and contained him. They clothed the certain and habitual gestures of my industrious, earthy, strong parent. This was the dad my eyes were accustomed to resting on and my arms were used to wrapping around for bear hugs. I never had to see or to visit my dad in a mask. His face was always wholly visible, even as it began to slim and slacken and dim.

The work worn clothes, sweat stained baseball caps, muscle, and bone that contained the shape of my dad in the world were burned to ashes and held together in an urn made and fired by one of his long time teaching friends. The heavy weight of last year was lying in there with him, as well as the long wait to take him to his resting place.

I thought he would be light, like ashes caught in an updraft. But no, he was like sand, almost too real. I didn’t want the urn to break, so I held it in my lap. Tightly. I did not want to hold it, either. Was the cancer burned away now? How would he be welcomed by the earth? Ashes are so different than compost. Hydrophobic. No water, no organic material, can attach easily to it. It is free of earthly duty, ready to fly.

Still, I held him in my lap so the jostling from washboards and dislodged rocks on this old, dirt road wouldn’t accidentally break the ceramic container that held him. It took all the strength I had. How could he be so heavy and so gone at the same time? How could I still be so scared of making contact with other humans, of breathing another’s air, and still desire to touch and mingle voice and smile and smell and taste at the same time? How could I have been so far away as he was dying of cancer and not realize how much it would hurt not to hug him at the same time?

Dad didn’t leave me any coaching tips for this.

There was a road sign at the top of the mountain, of all places. Who on god’s green earth would see it, or need it, up there? This wasn’t god’s green earth. It was brown and dusty. There were no other ways to go, no other roads to take, no choices to contemplate. Nevertheless, this road was marked by a green sign that read, “Bryan’s Road.” My dad’s name, only with a “y” instead of an “i”.

Despite the name, we were still unsure whose road this really was. The land up here seemed unclaimable. Too remote and close to the sky to thrust private stakes into it, yet thrust and privatized it was. But the view was stunning, and the sign had his name on it, so we felt justified as we timidly crunched our tires down the barely graded gravel, quietly passed through a cattle guarded gap in the barbed wire fence, and parked out of sight from the rough shod shed just off to the west.

We had arrived.

I opened the door and slid off of the back seat, dad’s weight pushing my footsteps down into the dusty soil. Despite this, I felt wholly untethered, stumbling through sage brush on this high, high, wind-swept hill surrounded in every direction but the east by mountains.

There, to the north, Mt. Rainier, the mountain nearest Seattle, where dad was born in 1946 and lived with his parents, older brother, and younger sister in the house his dad built in the Rainier Valley. He lived there until he left for college on the other side of the state where there were no mountains, just acres of wheat fields. I could see Mt. Rainier’s summit, gleaming like the fond memory of a favorite teacher, peeking above the darkened outline of the Simcoe Hills that made up the northern border of the valley where we lived.

You had to climb this high to see that far.

Sweeping my eyes slightly west I saw the gray, flat-topped form of the once perfectly conical Mt. St. Helens, the mountain that erupted while dad and mom were still young parents, new teachers, first time homeowners, and rained an inch of lighter than air ash on their new deck in 1980 just outside of Portland, Oregon. I was four years old.

I continued the turn counter clockwise until I was facing south, gazing on Mt. Hood across the Columbia River and into Oregon, a distant but familiar face that so captivated my dad when the blue and white tails of the brightest comet in history, Hale-Bopp, streaked over her summit in 1997 a thousand times brighter and thirty-nine times more deadly than Halley’s comet (which I watched fly from the top of his shoulders when I was 10). Thirty-one years after Halley and twenty years after Hale-Bopp, dad and I drove to central Oregon with my husband and two very young daughters, pulled off to the side of a desert road, plastered paper and plastic glasses to our eyes, and were totally eclipsed for two minutes and forty seconds.

And finally, I turned back to the northwest, to the closest mountain, Mt. Adams, the mountain that would accompany him for most of his life, and mine. The mountain I looked for every time I crested the Columbia River Gorge and returned home. The mountain where we pitched our tent and picked huckleberries in the skirts of her southeast forests in late summer. The mountain our eyes sought out from the back porch of the house that mom and dad helped build to watch winter sunsets kiss her southern slopes and summer sunsets ignite her ancient form from behind, throwing rays of gold and orange and pink into the sky. On early summer mornings, the sun painted her the palest pinks and creamsicle oranges as we drove out to the alfalfa fields to change irrigation lines. Dad spent the last week of his life in my room, Mt. Adams looking in on him through the bedroom window.

From this high place, we could see his life in mountains.

From this high place, we let dad go. His ashes—the twin tails of a once-in-a-lifetime comet, the radiant beams of a sunset, the sudden clear rays of a solar corona—appeared, startling and singular, and then vanished, carried by wind, out over the mountains.

Notice:

I want to shout enough!

ENOUGH!

About the places that we board and we take and we squander.

The women crying out! Listen to them

The vulnerable, the small, the poor,

We steal their right to be.

To speak is to exist, to take up space, to complete the whole.

Enough!

I want to have a tantrum like a toddler

Scream the hurt and pain that lingers.

Why do those in power get the voice?

Why do those with money get the choice?

The woman who sat with her coffee and her paper

The men with their boots and opinions

The women playing mahjong and bridge

They gather, they talk, they interview, they bring

Their family and sisters and brothers

And developers? They say it’s not enough.

Not enough money.

They say you are not enough!

The love of money is evil, he said, and he was right.

We love it so much we give those who have it the right

To decide

Where buses go, good produce, green parks.

The best streets, the most trees,

The beings we save and the beings we let die.

Enough!

These words aren’t enough!

Why do we act from scarcity?

Why don’t you act scared of me?

I am the woman, the athlete, the mother

I speak for the little, the forgotten,

the soil, the air, the mammals warm and dying,

the children, the teenagers, the elderly.

They are our enough!

Give them food and shelter,

Give them beauty and plenty,

Hell, give them money, yes a minimum standard for everyone

to ease the burden, to lift the weight

So they can fly, their imagination, their ingenuity, their creativity

Their capacity

To love!

To experience this world in all its beauty!

Beauty is enough!

Why do we take land from native people and

native flowers and trees and birds and bears?

There is enough!

Stop reaching, stop taking, stop fighting,

BE STILL

Enough!

Why aren’t the voices speaking for love

Amplified like the fear that we hear in the news

In the news, it is not enough, but here, right here

It is enough.

WE ARE ENOUGH

to turn the tide

To stop the hate and the violence and the unjust, the persecution and damning blindness.

ENOUGH I say to administrations that abuse and use and persecute and squander

The beauty that is the immigrant and the refugee,

And the dream that most Americans have woken from.

Enough! Enough guns for they fail

To make us safe, they replace

The words we need to speak

To hear where we hurt, where we are ignored and forgotten.

Walk into the garden, look at the pain the world is in

put your guns down, dig your hands in, sweat!

It is enough!

What words do I need?

Life is too short

Life is too precious

Life is found in forgotten streets,

in quiet meadows,

in trees growing through sidewalks,

in the apartments shoved out

and all the people who made their home

there stepped on, told to go.

Enough, I say,

ENOUGH!

Are you uncomfortable yet?

Is this Enough?

Your voice belongs here, too. Please,

an invitation to

Tell us your enough

You’re

ENOUGH

Coffee

Thank you God for coffee

That gets me through the day

That keeps me nice and regular

(Maybe that I shouldn’t say)

‘Cause if it weren’t for coffee

I don’t know what I’d do

I’d probly chew tobacco

‘Course there’s marijuana too.

Nah, I wouldn’t chew tobacco,

But coffee stains my teeth

I think I’d use the hash

Cause I’d have better breathe.

Who am I to say

What’s right or good or bad?

When pushing comes to shoving

It’s whatever people have

Around them when they need it,

A mental shift in mood.

Mine’s black and strong with cream

It’s psychoactive too.

In other places it’s totally fine

To drag on this or that.

Culture is such a blinder

I’d rather just forget

About stigma (gasp), taboo

Who needs them anyway?

Thank you God for coffee

That gets me through the day.

Crazy

I thought I might take my ukulele outside
and sing to the compost pile after it was made.
Maybe crazy,
but so was Mozart
and Patch Adams
and the man who plays his guitar
on the median of
East Michigan Avenue and Howard Street.
I think I know
that playing Bach’s Cello Suite #1 to cattle
just before slaughter
feels a little crazy
but is the sanest thing to do under the circumstances.
When I was young,
crazy was awkward
and we may never get past
the way we think we look to others.
But at 40 I finally know that to sing to compost piles
wear a wig while composing music
or a clown nose while treating patients
and bring Bach to beef cattle
and play a guitar on the median
makes beautiful sense.

 

Eight Notes from the Bell Tower*

1.
She is in the tower,
the camponologist,
calling out to heaven from her stony perch,
pulling thick rope until the tower shakes, resonating
the air with beautiful clamor.

2.
A new voice was pulled that day, and it washed the sky
from dusk to starlight, pastel morning to deep night,
striking thick tones.
She bathed the blank sky until
the air was crisp, the stars shone, and all was so,
so still.

3.
The bell tower stands
like an empty shell.
Tiny window-gems rise
in a golden line.
Empty thuds of feet climb
the inner ring
to the top where sallys hang
like the ends of candy canes.

4.
Down and up
back and forth
pull and
pause

in perfect union, all eight, and she
the first to call in the year,
to whisper the command
into tremulous, thundering beauty!

5.
“Look to!”

curves of steel, ageless, without wrinkles,
arch in graceful curves
others hold their breath
tension all around

“Treble’s Going!”

now ring in time, in birth, in death, in union
sing clear and strong
for years to fall in place.
all around she rings them in,
a lassoer of skies.

“She’s Gone.”

6.
The campanile
watches
the village sleep
and rise.
The bells
wait
and ring
accordingly.

7.
Cambridge Surprise?
Not a dessert of clotted cream eaten with small spoons,
but a clear chorus of bells, rung by human hands.

Grandsire?
Not a grand sire, ruling from his palace,
but a faithful ring, struck true and constant.

Double Bob Minor?
Not a slow duo of melancholy notes,
but the clean, swift weave of a two ton bell dancing among the other seven.

8.
Birds hold, people stop,
airs quiver, stars twinkle.
The awesome resonance of bells,
bells she rang – the first – the camponologist.

*St. Mary’s church in Adderbury, England, (see below) houses 8 bells, the largest of which is 2 tons. It takes a minimum of one year to learn the most basic combinations. The leader of the bell ringers is a “camponologist,” a position that takes many years to earn. This poem celebrates the first woman in Adderbury to do so.

adderburybelltower